Turandot: Christopher Tin Finale - Score Video with Composer Annotations
For even more insight into the thought process behind our new ending, check out my creative blog: https://christophertin.com/blogs/creativeblog/in-bocca-al-lupo-turandot
It is no small task to step into the shoes of Giacomo Puccini. This score video shows how my librettist Susan Soon He Stanton and I tackled the challenge of completing the greatest unfinished opera of all time: 'Turandot'.
My music leans heavily on thematic development, utilizing Puccini's leftover sketches, themes from the completed portions of the opera, and my own themes, which are often composed using Puccini's melodic techniques. It ends with a long-anticipated choral reprise of "Nessun Dorma", interwoven with Turandot's pentatonic "Mai nessun m'avrà" ("None shall have me") theme from Act II, signifying the long-awaited unity of Turandot and Calàf under the banner of love.
Meanwhile, Susan's libretto introduces a few new plot twists that drive us to a more dramatically satisfying (and logical) conclusion, which makes both principal characters more three-dimensional, and their ultimate love more justified.
Completing Puccini's final opera was one of the most challenging commissions I'd ever accepted. Thanks to Washington National Opera and Francesca Zambello for entrusting me with the task.
Libretto: Susan Soon He Stanton (susansoonhestanton.com)
Turandot: Christine Goerke (christinegoerke.com)
Calàf: Clay Hilley (clayhilleytenor.com)
Ping/Chancellor: Ethan Vincent (ethanvincentbaritone.com)
Pong/Head Chef: Jonathan Pierce Rhodes (jonathanpiercerhodes.com)
Pang/Majordomo (and Offstage Tenor): Nicholas Huff (nicholashuff.pw)
English National Opera Chorus (eno.org)
Royal Philharmonic Orchestra (rpo.co.uk)
Conducted by Christopher Tin (christophertin.com)
Chorus conducted by Matthew Quinn (matthewquinnmusic.com)
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