Joel & Ethan Coen - Shot | Reverse Shot
Every Frame a Painting
Feb 25, 2016 16:33
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How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.
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This video was co-written with Taylor Ramos. Follow her on:
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Music:
Carter Burwell - Way Out There (Raising Arizona)
Carter Burwell - A Serious Man
Oscar Isaac - Green Green Rocky Road (Inside Llewyn Davis)
Carter Burwell - Little Blackie (True Grit)
Carter Burwell - End Titles (Miller’s Crossing)
Creedence Clearwater Revival - Run Through the Jungle
Interview Clips:
Cinematographer Style: https://vid.me/L5aW/cinematographer-s...
Recommended Reading & Viewing:
ASC Magazine on Bruno Delbonnel & Inside Llewyn Davis: http://bit.ly/1OxkCoP
ASC Magazine’s profile of Roger Deakins: http://bit.ly/1TGUNKV
Roger Deakins forum post on the lenses he uses: http://bit.ly/1KNKToa
Help us caption & translate this video!
http://amara.org/v/HuuZ/
Education
#video essay
#film analysis
#filmmaking
#Coen brothers
#Raising Arizona
#Big Lebowski
#Fargo
#O Brother Where Art Thou
#No Country for Old Men
#Hudsucker Proxy
#Miller’s Crossing
#Barton Fink
#True Grit
#A Serious Man
#Burn After Reading
#Man Who Wasn’t There
#Blood Simple
#Inside Llewyn Davis
#lens choice
#editing rhythm